Silvina will share her experience in the Art of HPC program at the Supercomputing conference, reflecting on what they observed and learned while bringing together art and science. The discussion will highlight the opportunities, challenges, and insights that emerged from creating connections between these two fields in the context of high-performance computing.
Thomas Ludwig first encountered algorithmic art in the late 1970s. Since then, he has followed the evolving use of computers in art. As Director of the German Climate Computing Centre, he has also seen how the results of numerical simulations are transformed into visual representations. He is interested in both the epistemological dimension of this transformation and its aesthetic potential....
